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Crocodile Dundee Authorship

Subtitle

                               Direct Proof :

As any person blessed at birth with an aptitude for logical thinking would conclude; the material published under the heading “Original Claim” of this web site in the form of a tactical strategy which consists of 96 markers supported by forensic evidence, delivers proof of authorship that is STOCHASTICALLY CONCLUSIVE.

The same person would also conclude that what is stated in the following paragraphs is an OVERKILL to the same effect.  

It is more than evident that the purpose for placing markers in telephone directories and electoral rolls to establish that “Ken Shadie” was only a PSEUDONYM that the true author had used since May 1984 when he created the original artistic work upon which the film titled "Crocodile Dundee" was to be based since that point in time, was to provide DIRECT PROOF that the ONLY person with an incentive to retrieve these markers from the system in the future … would in fact be the same person who had also CREATED the original artistic work for the said film since that same point in time.

To any person with an average amount of common sense, therefore, the true identity of the person who had created the original artistic work upon which the film "Crocodile Dundee" was to be based since May 1984, can be attributed to the person who had used a unique tactical strategy which consisted of markers placed in the system since that point in time, to establish that "Ken Shadie" was in fact the pseudonym that he (the true author) had used when the said original artistic work was obtained from  him in May 1984.

The fact that another person had used the same pseudonym "Ken Shadie" at another point in time in the distant past, doesn't automatically establish that this other person had created the original artistic work upon which the film at point was based.

It is also evident that the true author has not only done some extensive research to find and retrieve from the system; the material exhibited as markers under the headings "Metamorphosis" and "Sham Addresses" of this web site, but also was the only person in the entire world who had an INCENTIVE to do so ...  

Question 1.  - How did the true author know WHERE to look in order to find the material exhibited and published under the headings "Metamorphosis" and "Sham Addresses" ?

Question 2. How did the true author know WHAT the nature of the material exhibited and published under the headings "Metamorphosis" and "Sham Addresses" was going to be ?

The single and simple answer to both Questions 1. & 2. is :

Because the true author had been informed since May 1984 WHAT the nature of this material was going to be and WHERE this material was going to be found.

Can it be said in all fairness that consensus of opinion among people who possess a reasonable amount of common sense would be unanimous that the single and simple answer to both questions 1. & 2. constitutes DIRECT PROOF that the author was in fact, not only the REAL AUTHOR of the ORIGINAL STORY in ORIGINAL SCREENPLAY FORM for the film at point, but also the same person who had ALSO used the pseudonym "Ken Shadie" when he created the said original artistic work for the said film since May 1984.

It is also more than evident that the true author has been waiting for the Internet to come into existence, so that he could not only design, but also build and publish this particular web site in order to exhibit the material published under the headings "Metamorphosis" and "Sham Addresses" ... which material he was able to find and retrieve from the system simply because he had been informed since May 1984 WHAT the nature of this material was going to be and WHERE he (the true author) was going to find it.    

Question 3. - How could the author have known since May 1984 that the Internet was going to be brought into existence sometime in the future, so that he (the true author) could not only design, but also build an Internet web site to exhibit the material published under the headings "Metamorphosis" and "Sham Addresses" ... to prove that he had been in fact the REAL author of the original story in original screenplay form for the said film since May 1984 ?

The simple answer to Question 3. is :

Because the true author, who was a qualified telegraphist since the age of 18 years, not only had a considerable amount of telecommunication knowledge in the same field while working as a telegraphist for the British company Cable & Wireless, but was also "chatting" to people from all over the world using CREED (i.e. the brand name) teleprinters since the age of 18 years.

This combined with the need to prove his case by confirmation of what had been established and secured since May 1984, indicates that the true author is UNDENIABLY the SAME person who had come up with the detailed blueprint for bringing the Internet into existence since May 1984.  

 [ See Video to that effect under the heading "Revelation" of this web site.]

             THE (true) ... Lightning Jack Kane
     True author's use of Heuristics since may 1984


           Application of Copyright Act, 1968
Media release quoting the comment made by His Honour Justice William Gummow of the High Court of Australia in reference to Section 50 of the Australian Constitution.

 

  Excerpt obtained from the Constitution of the Commonwealth of Australia

Section 50 of the Constitution of the Commonwealth of Australia :

Each House of the Parliament may make rules and orders with respect to –

(i.)     The mode in which its powers, privileges, and immunities may be exercised and upheld :

(ii.)     The order and conduct of its business and proceedings either separately or jointly with the other House.

 

Section 51 of the Constitution of the Commonwealth of Australia :

The parliament shall, subject to this Constitution, have power to make laws for the peace, order and good government of the Commonwealth with respect to : –

(xviii.)   Copyrights, patents of inventions and designs and trade marks :

(xxxi.)    The ACQUISITION of property [including Intellectual Property] on JUST TERMS from any State or PERSON for any purpose in respect of which the Parliament has power to make laws :

      How much is that particular sheep dog worth ?

               

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Australian War Cemetery at Villers-Bretonneux

Important Notice for Patriotic Australians

At first glance it may appear that the tactical strategy that was used in May 1984 to secure the original ownership of the copyright in the veritable author's original work upon which the film "Crocodile Dundee" was based, has caused some prejudice to some fair dinkum Australians. Let it be known that Australians are far from being "spineless" people. All we need to do to confirm this is to visit the Australian War Cemetery at "Villers Bretonneux" in Normandy (Northern France) and count the number of crosses as we experience the eerie feeling in the air.

 

Crocodile Dundee Authorship

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Foot Prints in the Sand

Hazelwood Island

Whitsunday Group

North Queensland

  February 1984


One day a man had a dream …

He dreamt that he was walking along a very very long sandy beach, the end of which he could not see as it was hidden beyond the mist on the horizon.

For every step he took, as he walked, a second set of footprints appeared alongside heading in the same direction.

The man figured that the second set of footprints belonged to the Lord.

Suddenly, the second set of footprints vanished … and the man could not help himself thinking aloud : “Lord, he said to himself, why have you forsaken me ?” …

Carried in the light breeze softly brushing against his face, he swore he could hear a voice saying in reply : “I never left you … as you will notice when you turn around; the footprints left behind in the sand, are now twice as deep”.

“Your footprints are now twice as deep because it is through your own tenacity and courage that I have found the strength to carry you.

The war of attrition and psychological pain that you have been forced to endure have been deliberately inflicted onto you with the purpose of conditioning your mind so as to make it conducive for easy exploitation.

 

Your oppressor’s objective is to extort the precious creative talents you have for design and inventions from your thoughts through duress. Your mind has been made too weak to fight these forces of evil … but you can use the thrust of your oppressor’s own actions to defeat him.

Never despair, ’cause in the end, the forces of nature that govern what is essential for survival in this world will force Virtue  to  TRIUMPH  over  Evil.  It is only then that  Right  will replace  Wrong.

Just like the sunflowers of an entire sunflower field turning towards the sun in unison at sunset, all those responsible for your affliction  –  having recovered their reason and repressed virtues  –  will start paying attention to what you say – but it will be too late; because these people would have already brought forth their own woes and misfortunes in return for the psychological pain that they have inflicted onto you”.